In July of 2006, Snoop Dogg defended Dre in a candid interview with DubCNN. Daz has asserted that he did more than the liner notes say for years. Production credit, especially on the first two Death Row Records albums, remains a hot topic. In addition to his vocals, Daz is credited with “Drum Programming” on The Chronic. ‘ Mine, mine, mine, take, take, take, take, take, take,” says the DPG co-founder. I did a bunch of songs I just got ‘programmed drums,’ ‘programmer,’ or something like that on there. “I did ‘Ain’t No Fun.’ I did a slew of songs. At the top of the video, DX‘s Editor-in-Chief Trent Clark asks D-A-Z if there are beats he made that are confused for Dr. In an interview with HipHopDX, Daz is asked about the credits that he deserves on those two legendary albums. That journey started five years earlier, with the double-threat working alongside the Death Row inmates on G-Funk classics, The Chronic and Doggystyle. Dre left Death Row Records in March of 1996, Daz would soon become the label’s musical “over-C’er” (as he was sometimes credited) and head of music. In addition to a heavy hand in his Dogg Pound group with Kurupt, the Long Beach, California representative laced high-profile tracks for Tupac Shakur’s chart-topping All Eyez On Me, as well as tracks for Snoop Dogg, WC, C-Murder, and Nate Dogg. In the mid-1990s, Daz Dillinger became an elite music producer.